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Lea Valley Delta Blues (album)

by MORNING BRIDE

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1.
Drifting like cigarette smoke by the window, Carried on dead air Their voices pass through the cracks in the wall, Shaken and threadbare Trying to deny how the cards always fall, But it’s always the same way These promises, they don’t work anymore These promises, they don’t work anymore This place is no place, this place is no place, this place is no place For harbouring angels, for harbouring angels This place is no place, this place is no place, this place is no place For harbouring angels, for harbouring angels Drifting out anchorless after the storm, Carried on shock waves Took the connections down once and for all, One too many bad days Vessels stand empty in the room down the hall, To comfort and cradle But her lullabies, they don’t work anymore Her lullabies, they don’t work anymore This place… The end of the world came whenever you cried But these days You look so pretty with tears in your eyes How did this sickness get out of control? How come our spells, they don’t work anymore? How come our magic don’t work anymore? This place…… (Copyright Mark James Pearson)
2.
Replica 04:33
I can get you into places where the sun never shines I can get you out of places where the law don’t apply Where the law don’t apply Hey party girl, you like a little crime? We look good together when the lights are down low Feel us come together in the sweet neon glow In the sweet neon glow Hey party girl, you like a little chrome? I got the silver, you got the gold Bang bang, lay down and play dead Kiss kiss, lay me down gentle Bang bang, lay down and play dead Kiss kiss, a taste of precious metal, A taste of precious metal Feeling pretty guilty with your new accessory Pass it around your circle, do they all want a piece? Yeah, they all want a piece Hey party girl, do you aim to please? I can get you into places with nothing to declare I can get you out of places when you’re a little scared Are you a little scared? Hey party girl, try not to stare Who loves you baby? Who really cares? Bang bang….. (Copyright Mark James Pearson)
3.
Can’t stand the birdsong, can’t stand the TV Can’t stand the radio jammed on your frequency Can’t stand my music, It’s every barre Cuts another scar Can’t stand the questions, X times and add Y There are no answers that could ever satisfy Can’t spit the words out to buy cigarettes I’m seeing stars And stepping out in front of cars Can’t stand my sentence, pure solitary Can’t stand my freedom, freedom is misery The cage is open, but I’m too conditioned To go too far Can’t stand the ocean, it keeps calling to me Can’t stand this city, and everything it’s done to me I can’t stand still, a kiss of death Brushes my arm I’m stepping out in front of cars Every back street and every corner turned Rolls a ghost scene on automatic replay Taken back, breaking back again Powerless, condemned to watch the scene unfold Can’t stand your sweet voice, whispering softly Can’t stand this silence, why can’t you talk to me? Can’t stand my telephone, nobody calls But it’s always charged I’m stepping out in front of cars Can’t face my loved ones, though they’re all there for me Can’t face the death wish of my own company Time, it stands still, when I step out In front of cars So I can wonder where you are (Copyright Mark James Pearson)
4.
Isabelline 04:30
So far and so long gone, the needle scratches endless fade out Night vision flickers on, from pulses on the radar A warm electric flows, illuminating words and letters Just long enough to hold magnetic fields together Nobody ever got to find out why Nobody ever got to say goodbye Isabelline, The lost souls that evolve around you From the worlds that revolve around you Are torn from the axis Isabelline, Like the cracks open up in your pane Fixed up but then broken again Torn from the axis Is it in vain? So far and so long gone, the waking hours grow ever later A streetlight flickers on, but the guiding star is fading Beyond air-traffic flows, beyond the haze of vapour trails A thousand afterglows are chasing every tail Nobody…. Isabelline….. Isabelline, See the souls that evolve around you See the worlds that revolve around you Descend into darkness Isabelline Hear the birds singing out your real name Can you recognise the song? It’s the same One you used to dance to Is it in vain? (Copyright Mark James Pearson)
5.
When I come home I climb the stairs To wash the night from The length of my hair To wash the dirt from My broken fingernails When I come home I will be yours Give me an inch I’ll give enough rope Give me a last chance I’ll give enough hope Give me a weak flame I’ll keep it burning Flickering on Flickering on And if I said I never lied to you If I said I know not what I do If I said I never lied to you Take me in your arms and have me believe Baby, your faith is blind The more I stray So many miles The better I get At my hospital smile The more mistakes I Conspire to make The less they seem To feel like mistakes When I come home I will be yours I’ll be your baby Behind the closed doors I’ll be the last one To turn the lights out For tonight alone I will be yours And if I…… (Copyright Mark James Pearson)
6.
Eleanora 04:16
After the ones who swore they’d never Have looked the other way I heard the ghosts of the good Samaritans They’re turning in their graves After the ones who couldn’t remember All for their own sake I heard the last good ships abandoned With nothing in their wake Eleanora, How much more can a heart take Of all the wrong breaks How can you call this living? Eleanora, We were born under wrong signs Raised in wrong times Still you go on forgiving For all the faith I lost without you, I’ve been blessed to gain From all the faith that you have in me, for all my mistakes With just a teardrop of your patience Of more than a thousand saints For all my sins and wasted chances I can start again (can we start again?) Eleanora… (Copyright Mark James Pearson)
7.
It’s the first of January, but I don’t know what’s new I found a place to rent, oh well, a room without a view So I make up pretty scenery, and project it all on you It’s the first of January, don’t ask me what’s new It’s the first of January, but I’m already through Every last page in the diary, so to scrawl these words to you I tore up my wedding dress with your old razor blades It’s the first of January, and my bed’s already made It’s the first of January, I’ve forgotten about the sun If it rises anymore, well it forgot about London In May I may remember, if I make it here that long It’s the first of January, all their celebrating’s done It’s the first of January, but my resolutions gone I made it in your bed, the first place I really belonged You were lying on your right side, for something I’d done wrong It’s the first of January, but my resolutions gone It’s the first of January, a day for friends and lovers They’re already saying ‘she never really recovered’ If I’m written out so quickly, let me give you my consent Keep this signature forever, now I don’t need a name (Copyright Mark James Pearson)
8.
Time Delay 04:00
Walking side by side, with the living dead Call this place a home, it’s just another lonely bed Killing all my time by the turning of the tide Home is anywhere I have you by side Memories are wasted on me without you Baby this time delay is a crime that we have to pay for in kind, day after long day so entwined so far away Carrying this cross, that was never ours to bear I’ll call this place a home, when this home is shared I’ve been here so long, but it’s still a no man’s land Home is anywhere you’re holding my hand Memories….. Baby this time delay is a crime that we have to pay for in kind, day after long day so entwined so far away Imaginary lines are keeping us apart in different worlds but under the same stars Photographs will fade, but I’ll remain the same Home is anywhere together we will stay (Copyright Mark James Pearson)
9.
well, I was only passin’ through just maybe for a year or two but the virus it crawled underneath my skin comin’ down with a white rose I split the north and hit the road when I heard the ghetto callin’ out my name with my dog and my guitar well, we could only go so far before the three of us were runnin’ out of brass but I had everything to gain with sweet f.a. to my bad name asylum seekin’, less than sweet f.a. to lose and now I’m back in the bosom of mother Hackney scene of all my crimes but mother Hackney, you’ve witnessed all the crimes against me god knows I’ve served my time I read the scrawls of revelation on the walls of Central station in New York, well I’dve sat right down and wept but it was only in the dead heat of a summer night-Mare Street that I saw the good samaritan leave town he’d seem ’em trash a listed building where a junkie’d gotten killed in and a killing was just what the council made now it’s a yuppie live-work space behind security gates up and comin’ round the marshes when she comes and now I’m….. now everybody’s breakin’ down just count the burn-outs on the Downs man and machine in perfect disharmony and there’s a red house over yonder feeds the neighbours growin’ fonder of a taste of honey, what’s the crack baby? and well I tried to get away but how my sweetheart made me pay I woke up to find the handcuffs were Clapton livin’ on the murder mile oh lord what can you do but smile with a psycho and his gun for company (Copyright Mark James Pearson)

about

"A BRILLIANT ROOTS ROCK BAND WITH SOLID GOLD TUNES....EVERY SONG IS A TRIUMPH" - THE WORD MAGAZINE

"ASTONISHING" - 4/5 - THE INDEPENDENT

"AN ANGELIC CONFECTION SPIKED WITH MELANCHOLY IN A SHIMMERING SLICE OF ANGLO-AMERICANA TO DRINK AND DIE FOR" - PLAN B MAGAZINE

"SPELLBINDING - A TRUE CLASSIC" - ROCK N REEL MAGAZINE

"GLORIOUSLY BEAUTIFUL" - THE ORGAN

"ENCHANTING... HAUNTING... CAPTURES THE HUMAN CONDITION AND PAINTS IT IN WORDS AND IN A WAY WE CAN ALL RELATE... A GREAT RECORD" - NOIZE MAKES ENEMIES

"MAGNIFICENT" - SOUNDSXP

"ROOTSY ROCK POP TUNES WITH BIG FAT HOOKS THAT ON ANY REASONABLE PLANET WOULD BE ALL OVER YOUR RADIO - 9 out of 10" - AMERICANA UK

"FRESH AND EXUBERANT.... WITH A SOUND THIS VAST, IT'S TIME THEY SPREAD OUT AND REACHED HIGHER CLIMES" - THE INDEPENDENT)

"A COLLECTION OF BEAUTIFUL, BROODING, OFTEN ANTHEMIC TORCH SONGS" - PICCADILLY RECORDS

"SOARING BALLADRY THAT RYAN ADAMS WOULD GIVE HIS DECAYED EYE-TEETH FOR" - THE WORD MAGAZINE

"DELICIOUSLY ENTERTAINING" - ROCK N REEL MAGAZINE

"STEEPED IN TRADITION AND WHOLLY UNLIKE ANYTHING ELSE... YOU DESERVE TO OWN THIS WONDERFUL ALBUM.... IT'S PERFECT." - SUBTER

"FABULOUS...ADDICTIVE.... RICH AND HEADY YET FULL OF SUBLIME INTERNAL DEFINITION; BEGUILING AND BEAUTIFUL YET FORTHRIGHT AND PUNCHY; HYPNOTIC AND CAPTIVATING AND YET NEVER STANDING STILL...WHAT A SUBERB DEBUT" - NET RHYTHMS

"EVER WONDERED WHAT THE VELVETS WOULD'VE COME UP WITH IF THEY HAD TWO ENGLISH (sic) SINGERS DURING THEIR 'LOADED' SESSIONS? GETS BETTER AND BETTER AFTER EACH SPIN. BRITPOP FOR THE THINKING MUSIC LOVER" - HERE COMES THE FLOOD

credits

released April 28, 2008

All songs by Mark James Pearson
Recorded, mixed & mastered during one week in winter 2006/7 at Gizzard Studios, East London, using all analogue equipment
Engineered by Ed Deegan, assisted by Darren Heelis
Produced by Ed & Mark
Originally released on Letterbox Records under licence

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about

MORNING BRIDE Filey, UK

"ASTONISHING" - THE INDEPENDENT

"A BRILLIANT ROOTS ROCK BAND WITH SOLID GOLD TUNES - EVERY SONG IS A TRIUMPH" - THE WORD MAGAZINE

Morning Bride is Amity Joy Dunn, Mark James Pearson & Pete Bennett. The band have released three critically-acclaimed albums - 'Goodbye Seaside Danny Wilde' (2021), 'The North Sea Rising' (2013) & 'Lea Valley Delta Blues' (2008).
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